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MasterClass
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Art
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Black Iris III, 1926
Purple Petunias, 1925
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The Dark Iris II, 1926
Two Calla Lilies on Pink, 1928
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Two Jimson Weeds, 1938
White Trumpet Flower, 1932
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Cow's Skull-Red, White and Blue 1930
Red Hill and White Shell, 1938
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Rust Red Hills
White Flower on Red Earth, No. 1
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Grey Cross with Blue 1929
Goat's Horn with Red, 1945
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MasterClass
Art
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GEORGIA O’KEEFFE studied at the Art Institute of Chicago in 1905–06 and then the Art Students’ League in New York City (1907–08), where she met her future husband Alfred Stieglitz, the founder of the avant-garde circle that bears his name. She was an early convert to Abstract Art and, with Stieglitz, did much to spread the gospel among American artists from 1915 onwards. In the 1920s, however, she developed a more figurative style, concentrating on architectural or floral motifs but injecting a note of Surrealism into her paintings. Her work was characterized by sharply defined images that explored geometric patterns and earned for her work the epithet of Precisionism. She travelled all over the world, drawing on her experiences in many of her later works. In her last years she resided in New Mexico, whose monumental scenery found expression in a number of her landscapes.
Excerpt from Art. The World of Art, from Aboriginal to American Pop, Renaissance Masters to Postmodernism.
Back place I, 1945
Abstraction VI
Deer's Skull with Pedernal
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Georgia O’Keeffe
1887-1986