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Art
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The bridge at Villeneuve-la-Garenne
The aqueduct at Marly, 1874
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Regatta at Molesey

Louveciennes
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Small Meadows in Spring
Snowy weather at Veneux-Nadon
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The Canal Du Loing at Moret, 1892
The church at Moret icy weather, 1893
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The St Martin Canal in Paris, 1870
Footbridge at Argenteuil, 1872
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Village on the banks of the Seine (Villeneuve-la-Garenne)
Sentier de la Mi-cote Louveciennes
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Under the bridge at Hampton Court, 1874
Snow at Louveciennes
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The Machine at Marly, 1873
BORN IN Paris of English parents, Alfred Sisley had a conventional art education in Paris and at first was strongly influenced by Corot. In 1862 he entered the studio of Charles Gleyre, where he was a fellow pupil with Monet and Renoir, whom he joined on sketching and painting expeditions to Fontainehleau. The range of colours employed by Sisley lightened significantly under the influence of his companions. From 1874 onwards he exhibited regularly with the Impressionists and is regarded as the painter who remained most steadfast to the aims and ideals of that movement. The vast majority of his works are landscapes, drawing on the valleys of the Loire, Seine and Thames for most of his subjects. Sisley revelled in the subtleties of cloud formations and the effects of light, especially in the darting reflection of water. Hopeless at the business aspects of his art and largely dependent on his father for money, Sisley spent his last years in great poverty. Like Van Gogh, interest in his paintings only developed after his death.
Excerpt from Art. The World of Art, from Aboriginal to American Pop, Renaissance Masters to Postmodernism.
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Art
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1839-1899
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Alfred Sisley